Showing posts with label john lennon. Show all posts
Showing posts with label john lennon. Show all posts

Friday, October 9, 2009

Had Lennon Lived

John Lennon was born during the bombing of Liverpool in WWII. He came into this world in the middle of some of the worst violence of the last century and he left through violence.

The CW—conspiratorial wisdom—is that John Lennon was murdered by agents of the Reagan Administration who knew what their plans were for Central America in the early 80s when Lennon emerged from reclusion and did not want Lennon interfering with their anti-communist crusade as he had with Nixon’s in Vietnam.

Jon Weiner wrote
“Gimme Some Truth: The John Lennon FBI Files” to explore the FBI’s surveillance of the ex-Beatle during his era of radical politics in the early 70s. The documentary “The US vs. John Lennon” explores the same.

It does not matter why Lennon was killed because nothing will change that fact. However, had he lived, we may well be living in a different world now. The same could be imagined if Bob Marley, who died in May 1981, had lived.

A couple of months ago I wrote a post espousing my theory that we would not have a president Barack Obama today had Michael Jackson’s influence not been felt in America especially for the last three decades.

The same is true with Lennon. Had Lennon lived he would most likely have focused first on his music and being a father. He had a young son to raise and an older son to get to know.

If memory serves, Lennon said in the Playboy interview that he had plans to do new versions of “She Loves You” and “I Want to Hold Your Hand”. “Milk and Honey” would have had some new songs and he would surely have worked with a wide variety of musicians. He would have appeared on the 1981 Grammy’s to universal adulation.

The Beatles would have certainly re-united for the Anthology albums and, chances are, they may have re-united for new Lennon and McCartney collaborations and Harrison compositions from their matured perspective to help us look back at the 60s and project those values of peace and love throughout the 80s, 90s and now on an album or two or more and perhaps even a handful of performances—especially in Liverpool and maybe Hamburg—almost always for a worthy cause.

Perhaps Lennon would have teamed with his son Julian. Perhaps Julian would not have even pursued a career had his father lived.

He may have worked with Oliver Stone on a film project or two. He almost certainly would have performed at the big anti-nuclear rally in Central Park in June 1982 that Dennis and I attended.


Had Lennon lived, he and McCartney would have been able to snatch their songs away from Michael Jackson and we’d be spared the abuse of Beatles’ songs by Target and whatever credit card/bank that commercial is for.

But Lennon’s greatest effect may have been politically. If Lennon had avoided politics, America’s involvement with the Contras would have ignited his awakening. A benefit concert for CISPES seems appropriate, where Lennon may have sung and recorded a new version of “Give Peace a Chance”. Maybe a solo album titled “The Savior”, the English translation of El Salvador, or “The Agency”.

As Iran Contra developed, that scandal’s political embarrassment for Reagan, North, et al would have whetted Lennon’s appetite for political blood and revenge against conservative American presidents and their self-serving egos.

He may have made some critical remarks in interviews or at rallies about Reagan, North et al which would have caused a stir. He may have re-united with Abbie Hoffman who had re-emerged by 1980 as well, and may have inspired Jerry Rubin to put aside his success in business long enough to get radical about Central America.

Having survived the Strom Thurmond-inspired plot to have the INS deny his Green Card and deport him, Lennon may have felt inspired and emboldened to take on Reagan and the CIA. He would certainly have inspired many to take on Reagan, North et al, which is the reason for his death that the conspiracy theory mentioned at the top of this post is based on.

Had Lennon lived perhaps Reagan, North et al would have imploded harder and Bush would have lost to Dukakis, who, if he won, would have lost to Bush in ’92—or Clinton—primarily because of the economy.

Had Lennon lived it may have been harder for the Christian Right to become as powerful as they had because Lennon would have skewered the right-wing Christian hypocrisy in Central America—and right here in the U.S.

“Imagine” may have been followed by another anthem, “Realize”. He would have performed in Berlin right after the fall of the wall since they performed several times in Hamburg before and after its construction. The wall’s fall was certainly in keeping with the world vision he expressed in “Imagine”.

He and Yoko may have introduced America to some form of self-help psychology on Oprah. And just for the hell of it, for a week, he and Yoko may have taken the center square on the New Hollywood Squares, hosted by John Davidson from 1986 to 1989.

The Internet would have been the perfect tool for Lennon’s peace movement. But the big question is: How would Lennon have reacted to September 11th?

I think he would have reacted by reaching out to Muslim activists and musicians, which means he would most definitely have worked with Salman Ahmad and Junoon. After all, Lennon was a major inspiration to Junoon founder Ahmad.

Through Ahmad, Lennon would have reached out his message of peace and “Imagine” throughout the Muslim world to any of those who would listen. And he would have succeeded.

I wrote about Junoon in two posts, one of the
52nd anniversary of Lennon meeting McCartney and another post three days later about Junoon.

The American government feared Lennon in the 70s because of his influence over America’s youth. As Lennon got older and there were new generations of youth, Lennon’s influence would have naturally grown much bigger.

The changes he could have helped bring about are left to all of our imaginations. And isn’t that what he said. I think what is most important to be remembered about Lennon is he used his imagination as a tool.

We must all do the same.

Lennon was a Libra—the most powerful star sign in the whole zodiac. Librans understand what I mean.

Sorry, just a little astrological elitism.

Here’s one of my favorite Lennon songs:


Monday, October 5, 2009

October Fifth Throughout History

This day is important—at least in this post—for three reasons: the Beatles released their first record, “Love Me Do”, on this day in 1962, “Monty Python’s Flying Circus” premiered their first show on this day in 1969, and I breathed my first breath on a Saturday night on this day in 1957.

For the longest time I thought these two events were signs of some greatest that I would achieve. Let it be understood from this day onward that God is definitely a practical joker.

But I’m not writing about me and Python and the Beatles sharing this day. This is written to introduce you readers to the man with whom the Beatles and Python share a connection and without whom they arguably may not have existed or would have been different—perhaps even detrimentally different.

Terence Alan Patrick Seán Milligan, otherwise known as “Spike”, is also one of my comic heroes.

In America, Spike Milligan is largely unknown even though his contribution to the Beatles and Python is easily recognizable. It seems some smart PBS or syndication executive would have run Spike’s “
Q” series over here back in the 70s as “the Goons” as they are affectionately referred were aired on many public broadcasting stations. After all, Benny Hill made it to America.

Silly American programming executives.

Milligan, along with Peter Sellers and Harry Secombe (and Michael Bentine at the beginning), created
The Goon Show, which was a BBC radio show that ran from 1951 to 1960 and was not only hilarious, it was revolutionary.

Before the Goons, British comedy was largely the music hall variety with baggy pants, silly hats and joke jokes, similar to our early vaudeville. The Goons shaped a type of humor that has inspired much of British humor today. It was surreal, it was silly, it lampooned contemporary events as well as the stuffy, upper class British culture of the day.

How the Goons inspired Python is easier to see because both are comedy. In fact, Milligan’s Q5 series was broadcast months before the premiere of the Pythons, and in the Q link above, John Cleese recalls telephoning Terry Jones and discussing with him how terrified they were because Milligan was already doing the show they wanted to do.

Not only that, but all the Pythons were schoolboys when the Goons were influencing all of Britain in the 50s.

Another school boy influenced by the Goons in the 50s was John Lennon. Back in 1972 Lennon wrote
a review for a book of Goon Show Scripts. Lennon was also a big fan of Lewis Carroll. But the Goons contributed much to Beatle humor, not to mention personnel.

George Martin, the man who brought the Beatles music alive—along with the Beatles, of course—produced records for Peter Sellers and the Goons. In fact, recognizing Martin’s connection with the Goons was one of the things that endeared Martin to the Beatles, according to Martin in, perhaps, several interviews. In fact, George Martin served as Milligan’s best man for his 1962 wedding.

Richard Lester, who directed “A Hard Day’s Night” and “Help” also directed “The Running, Jumping, Standing Still Film” with Sellers and Milligan. The same high-speed silliness in “A Hard Day’s Night” was first explored in “The Running, Jumping, Standing Still Film”.

Milligan suffered several mental breakdowns, a true example of the fine line between madness and genius.

It is no accident that the root of the word “funny” is “fun”. And despite Milligan’s manic depression, The Goons are pure escapist fun. The silliness is contagious. And the genius can be influential as well.

The Goons had fun doing the show as the adlibs and off-mike laughter will attest. One cannot help but get carried away with them. If you’ve had a bad day, the Goons will soon make you better. My two favorite characters are Bluebottle (Sellers) and Eccles (Milligan).

So, my birthday present to all of you is Spike Milligan. I hope he brings you as much joy and pleasure as he has me. I was introduced to him by an ex-writer for Late Night with David Letterman.

I haven’t been the sane since.

Below is the first link to what sitting in the audience for a Goon broadcast must have looked like. It was filmed in 1966 for a show for Harry Secombe, the rotund Goon.

Embedding was disabled, but you can access part 1 through this link:

http://www.youtube.com/watch?v=pd0ONww0rrw

This is part 2:

http://www.youtube.com/watch?v=LtcmewIJU2U

Explore Milligan and the Goons and I hope you enjoy them as much as I have.